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备注：已完结
类型：电影
主演：安德烈·瑟韦林 杰吉·特雷拉 格拉齐娜·迪拉格 瓦尔德马·科纳克基 伊
导演：安德烈·祖拉斯基
语言：其它
年代：未知
简介：改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》，故事描述人类逃离毁灭的地球，飞船坠落在银色星球上，不久后有人开始在星球上进行造神运动，然信徒分化后一派奉此外来政权为神，另一派则视之为魔，人性贪婪的劣根性，在这星球上暴露的一览无遗…… 本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中，最具史观、野心勃勃且兼具后现代主义的科幻哲思电影，也是他重回故乡波兰拍摄的归乡代表作。 这部充满争议的杰作，安德烈以非常风格化又带着原始情欲的方式，传达其所钟爱的命题：一则后现代主义式的寓言。故事的结局，地球人不但改变原本的内在，连外在也慢慢变成介于人与鸟的中间物种。这种由内而外，进而转化成另一物种的隐喻，也为这部犹如政治寓言的科幻史诗，更添加了奇幻色彩。 1977年当影片拍好八成时，新上任的波兰文化助理大臣禁止此片拍摄，并下令销毁场景、布置和服装，直到1986年波兰民主化，本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能，拍摄这部处女作不久，她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员，也成为波兰的国民影后。
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备注：已完结
类型：电影
主演：米罗斯洛·巴卡 克日什托夫·格洛比什 扬·特萨利兹 比涅尤·扎塔西奇斯
语言：其它
年代：未知
简介：Jacek Lazar（米罗斯洛·巴卡 Miroslaw Baka 饰）是一个二十一岁的男子，他在街上游荡，吓走广场上的鸽子，在天桥上朝底下的汽车扔石头，在照相店让人将他口袋里那张已经出现了折痕的照片放大，是一个小女孩的照片。Waldemar Rekowski（Jan Tesarz 饰）是一个普通的的士司机，调戏年轻女子，捉弄乘客，故意按喇叭惊吓动物，他的下一个乘客是Jacek。Piotr Balicki（Krzysztof Globisz 饰）是一个年轻的律师，认为刑罚并不能防止犯罪，而防止犯罪正是法律的目的，他刚刚通过律师考试，他为杀人犯Jacek辩护。Jacek坐上了Waldemar的的士，他们开车到野外，Jacek用一条绳子勒死了司机。Balicki极力为Jacek辩护，希望避免死刑，但Jacek最后还是被判处了死刑。临终前，Jacek和Balicki长谈，说起因为他和一个卡车司机喝酒，致使卡车司机开车碾死他妹妹的事情......
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备注：已完结
类型：电影
主演：耶日·斯图尔 克里斯提娜·杨达 卡里娜·谢鲁斯克 马里乌什·德莫霍夫斯
导演：皮奥特尔·舒尔金
语言：其它
年代：未知
简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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备注：已完结
类型：电影
主演：比涅尤·扎塔西奇斯 克里斯提娜·杨达 塔德乌什·布拉德茨基
导演：克日什托夫·扎努西
语言：法语
年代：未知
简介：托马斯是位年逾花甲的医生，没有宗教信仰。他一直怀疑自己身患重病。于是，他开始思考生与死的意义。答案——或者说迹象——出其不意地始于医院监护室……影片题目灵感来源于华沙的城市墙壁涂鸦。生命是悲剧性的矛盾体，本身就是通往死亡的旅程。 赞努西作品《爱在山的那一边》同一个故事的另一个版本，剧情的重心转到了意外发现自己罹患绝症的老医生身上。透过主角的挣扎，这部探讨生命、死亡、爱与救赎的「临终电影」，沈稳有力地道出赞努西对哲学与伦理学的省思，参与过不少赞努西电影的老牌演员Zbigniew Zapasiewicz表现可圈可点。 《爱在山的那一边》年轻的男主角，挣扎于应该改作服侍上帝的修士，还是回到医学院继续未完成的学业，他千方百计地寻找答案，甚至以危险的方式试炼自己，结果不但让相依为命的哥哥担忧，也连带影响了他和女友的感情。他向一个偶然认识的老医生提出他的疑惑，没料到这位步入生命终结的老人，在最后一刻意外帮助了男主角从自己强加的道德沮丧中挣脱出来。
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备注：已完结
类型：电影
主演：阿加塔·布泽克 克里斯提娜·杨达 安娜·波洛尼 马辛·多洛辛斯基 亚当
导演：鲍瑞斯·兰考什
语言：
年代：未知
简介：萨宾娜30岁了，她的母亲和祖母都试着为她寻找结婚对象却未果。有一天，她遇见了一位酷似电影明星的年轻男子，并对他产生了兴趣。他的出现惊喜连连，使三位女性的生活发生了变化…… A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secret can be concealed. Successive admirers arrive at the pre-war tenement where the women live, but Sabina is interested in none of them. One day, appearing out of nowhere, comes the charming, intelligent, and terribly good-looking Bronislaw. His presence will spark off a series of unexpected events revealing the darker side of the women's nature. Written by Warsaw Film Festival 本片是导演Borys Lankosz的故事长片处女作，也是纪录片导演Lankosz首次拍剧情片。该片是击败了《商场女孩》和《疯人院》两部电影获得的参加奥斯卡最佳外语片角逐的机会。
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备注：已完结
类型：电影
主演：杰尼斯·查比尔 皮奥特·赛尔沃斯 赛巴斯汀·法比杰斯基 安德烈·格拉博
语言：
年代：未知
简介：一名神秘女子讲述波兰历史上影响力最大的黑帮老大之一——尼科德姆·“尼科斯”·斯科塔卡克的崛起与覆亡，灵感来自真实故事
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备注：已完结
类型：电影
主演：马雷克·瓦尔切夫斯基 克里斯提娜·杨达 Joanna Zólkowsk
导演：皮奥特尔·舒尔金
语言：其它
年代：未知
简介：In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide
