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备注：已完结
类型：动漫
主演：田中理惠 今井麻美 阿澄佳奈 佐藤利奈 堀江由衣 喜多村英梨 小仓唯
语言：日语
年代：未知
简介：《超次元游戏 海王星》TV动画于2013年7月12日~9月27日播放共12话，另于2014年10月16日在Animax播放新增1话，全13话。 对TV动画重新构成的总集篇《超次元游戏 海王星 THE ANIMATION：Hi☆Light》全2话，分别于2020年10月28日、20 20年11月25日发售。 新OVA1《超次元游戏 海王星 THE ANIMATION：涅普的暑假》于2019年7月8日在PlayStation Video配信，2020年12月25日发售。 新OVA2《超次元游戏 海王星 THE ANIMATION：充满涅普涅普的感谢祭》于2021年12月15日在MiloQ 配信，2022年10月26日发售。 新OVA3《超次元游戏 海王星 THE ANIMATION：沐浴阳光的紫茄子花》于2023年4月发售。
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备注：已完结
类型：动漫
主演：入野自由 牧野由依 稻田彻 浪川大辅 菊地美香 坂本真绫 大原沙耶香
导演：川崎逸朗
语言：日语
年代：未知
简介：立志成为一名考古学者的小狼和古楼国的公主－樱从小青梅竹马。两人虽然互有爱意，但是谁都没有勇气开口。一天夜晚，樱落入了由于为了获得樱所拥有的改变世界的力量而设计陷害他的飞王的阴谋，而失去了全部的记忆。变成羽毛的记忆也飞到了各个时空中。为了拯救樱，小狼开始了通向异次元的行程... 在次元魔女郁子的摩可拿的引导下,,小狼和小樱来到了鸟笼国 那里的人们和鸟类为伴和平共处...... 可是由于国王的暴政,,反叛者们对鸟类施以暴行 用不可思议的羽毛力量统治国家的国王 最终他所拥有的究竟是不是小樱的记忆呢
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备注：已完结
类型：电影
主演：未知
导演：居伊·德波
语言：法语
年代：未知
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
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备注：已完结
类型：电视剧
导演：韦正
语言：汉语普通话
年代：未知
简介：爱情公寓番外篇是热播电视剧《爱情公寓》的姊妹篇，由《爱情公寓》原班人马倾力打造，目前有《辣味英雄传》和《辣味英雄传2》两部作品。
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备注：已完结
类型：电视剧
主演：周润发 刘嘉玲 吴孟达 汤镇业 吕良伟 刘江 叶德娴 Deannie
导演：tvb
语言：粤语
年代：未知
简介：[TVB][幻海奇情.花瓶／时间之钟／死之境界][单元剧][粤语无字幕][TVRIP-RMVB] 类型：单元剧 出品：香港TVB 演员：周润发，刘嘉玲，吴孟达，吕良伟，罗兰，石修，甘国亮，叶德娴，黄杏秀，李司棋 内容简介： 幻海奇情为 TVB 七八十年代时的奇幻剧集. 每个故事为 10分钟左右，共有 54 个独立的故事。 虽说为奇幻故事，但都不是很的故事，有些更是属于谐趣的內容。 这系列所吸引之处，就是有能看到很多现在为人熟识的演员早期在电视上的演出，也能看到香港七八十年代时的面貌。 第一辑（演员：甘国亮，石修，吕良伟，吴孟达，周润发，刘嘉玲，罗兰） 迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 四人归西、鬼妻、幽灵、谁是凶手、怪遇、错、报纸、兆、同事、第三身。 第二辑（演员：阮兆辉，吴孟达，周润发，苗金凤，张德兰，骆应钓，戴志伟） 迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 死之境界、归家、先兆、假戏真做、灵魂附身、自杀、鬼咁恨嫁、回魂夜、我返嚟啦、你死我活。 第三辑（演员：李司棋， 叶德娴，周润发，黄杏秀） 迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 重现、杀夫、楼上的人、8小时、游戏、长生不老、午夜电话、拆鬼、圆梦、时间之钟。 第四辑（演员：关海山，罗兰，周秀兰，黄一飞） 迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 凶眼、长窗、房客、名画、白鸽票、纹身、花瓶、有楼出租、倩影、毒誓。 第五辑（演员：甘国亮，吴孟达，刘松仁，卢海鹏） 迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 酒、蓝花瓶、母、裁缝、忍、片段、我是鬼、问米、幻海奇情、车祸。 第六辑（演员：石修，吕良伟，黄杏秀，欧阳佩珊） 迷离境界、阴森诡秘、疑幻疑真、触目惊心。四个奇幻故事包括 菲林幽魂、心魔、洋娃娃、影。 《圆梦》 男子梦见自己跌进一空屋，醒后认为梦境与死去的父亲有关，于是根据父亲的旧照片寻找空屋。男子抵达空屋，见一少女，而少女样貌竟与父亲照片内的女子相同…… 《死之境界》 男子外出不幸遇上车祸，回家后母亲及众亲友异于平常，怪事自此不断出现，原来全部人早已死去.... 《兆》 男子遭先人报梦，著他注意一车牌号码1221；男子以为是彩号码，却原来是一单位门牌。在前往该单位途中，男子不幸遇害…… 《花瓶》 男子租住进新居，发现楼上单位空无一人，只有一神主牌，及后查询得知昔日楼上单位主人甚爱花瓶，并扬言死后也要保护其心爱花瓶。住客不信，故意移动之，并惹来杀生之祸。 《报纸》 贫穷的丈夫每天都会收到未来一天的报纸，于是他依照报纸上的赛马结果去买马，发了横财；有天他看到报纸上写著自己会遇到意外丧命，而杀手却是.... 《第三身》 男子自从住院两星期后，出院后常常在街上碰见与他长的一模一样的人，最后他还牵涉入一场杀人案中；到底这是他的幻觉还是真有其事？他又会否被误认为杀人凶手呢？ 《怪遇》 男子拥有异赋，众人都奇怪他怎么能看透对方的想法；有天他前往找工作之时，竟然发现该公司经营非法勾当，故卷入了一场警匪追逐的旋涡.... 《运》 男子失业倒霉，街上四处游荡下找到一招聘广告，男子遂往见工并获雇用，却原来是一家鬼工厂，该公司多年前因火警全工厂工人遭烧死…… 《游戏》 男子占卦，被预言将有怪事发生，男子不以为意；其后男子与友人郊游，误进一神秘大屋，屋内空无一人，男子与友人更决定在此留宿一宵，自此怪事频生…… 《时间之钟》 男子在办公室经常遭到同事看扁。在一次机缘下男子得到了一个能令时间停顿的时钟，男子藉时钟进行报复，却不小心把时钟弄坏，男子从此得困在时间静止的世界里…… 《先兆》 一对夫妇因女儿遭色魔奸杀而死而终日不安，两人遂往问米，谁知当问米婆为他俩占算过后，即著二人离去，到底真凶是谁？最后又能否绳之于法？ 《重现》 会计周润发亏空公款，在乘电梯时被人发现，为了避免事情外露，会计杀人灭口。自此，会计终日疑神疑鬼，遂决定转工，可惜天网灰灰，会计最终也绳之于法。 《珍珠饼》 太太有婚外情，一直希望离开丈夫。一次从新闻报导中得知一家饼店的珍珠饼有毒，太太便将计就计，将毒落在珍珠饼中供丈夫进食，并打算将罪名推落饼店…… 《鬼妻》 由罗浩楷及程可为主演。“妻死妻还在”，饰演鬼妻的程可为在一次交通意外中丧生，却念念不忘丈夫罗浩楷，誓要日夜相随......
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备注：已完结
类型：电影
主演：博胡什·扎霍尔斯基 Svatava Hubeňáková
导演：伊日·门泽尔
语言：其它
年代：未知
简介：In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died. Graduation film of director Jirí Menzel.
