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类型：电影
主演：Maksim Abrosimov Sergey Agafonov Ma
语言：
年代：未知
简介：本片讲述了二战中的一个著名故事。1941年德军集结了最精良部队对莫斯科发动了号称“台风”的强大攻势，目标是在冬季来临前攻下这座城市。苏军“潘菲洛夫步兵师”的28名士兵用仅有1门45毫米反坦克炮、几支反坦克步枪、反坦克手榴弹和燃烧瓶阻挡了这支野心勃勃的侵略之军，以整个连队只幸存5人的巨大代价阻止了德军的进攻，保卫了莫斯科。
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类型：电影
主演：Sheila Francisco Rocky Salumbides B
语言：菲律宾语,英语
年代：未知
简介：莱昂诺是一位努力与生活缠斗，试图养家糊口的中年妇女。当她无意间读到剧本征集的广告后，她想起了曾经的电影生涯，想继续年轻时未完成的剧本创作。天不遂人愿，突发的意外将她的身体困在病榻，灵魂却因此闯进了她创作的故事中，上演了一场又一场令人目不暇接、天马行空的大冒险。
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类型：电影
主演：Sienna Guillory Autumn Reeser Anton
导演：Tony Krantz
语言：
年代：未知
简介：昏暗冰冷的审讯室内，满身伤痕的私家侦探内德·克鲁兹（安东尼奥·班德拉斯AntonioBanderas饰）正在接受波利（威廉·菲德内尔WilliamFichtner饰）等三名洛杉矶警察的残酷质询。他被指控撞人致死，在拳脚的胁迫下，内德缓缓道出了这几天的经历。他最先讲述了当红偶像明星同性恋丑闻引发的杀人事件，这是整个故事的开端。随后，在那个潮湿而神秘的夜晚，内德遇见身形巨大、长相凶恶的来自俄罗斯的前拳击手安东·普罗托夫（罗伯特·梅耶RobertMaillet饰）。安东雇佣内德寻找一名失踪的脱衣舞女，而这一切似乎又与安东背后的俄罗斯黑帮有着千丝万缕的关系。不久，安东死于非命，内德则继续寻找舞女的下落。在这一过程中，接受过他询问的人不断死亡。内德走上了一条光怪陆离的神秘之路……
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类型：电影
主演：Mira Sorvino Scott Foley Victor Gar
导演：Hedi El Ayoubi Pedro Gandol Sinan Saber Yann Mari Faget Ahmed Hatimi
语言：
年代：未知
简介：故事发生在车水马龙的繁华大都市纽约，这里的博物馆正在举办一场宴会，让参加宴会的众人没有想到的是，四位不速之客骑着高头大马闯入了大厅，并且抢走了博物馆所收藏的一件展品。之后，四具尸体被市民发现，而他们抢走的展品却下落不明。身处现场亲身经历了这一场混乱的苔丝（米拉·索维诺MiraSorvino饰）敏感的察觉到了此事有异常。她联手FBI派出的警探达利（斯考特·佛雷ScottFoley饰）决心彻查整个事件，并就此挖掘出了隐藏在十字军骑士团中不为人知的黑暗秘密。与此同时，一位名叫马丁（StéphaneDemers饰）的骑士渐渐浮出了水面，他是最后一名幸存的圣殿骑士，在他的身上，或许存在着解开谜团的钥匙。
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类型：动漫
导演：许诚毅
语言：英语
年代：未知
简介：在经过了一系列惊险刺激的大冒险过后，剑客靴猫踏上新的征程。这次他来到一片辽阔壮丽的荒原，当他正纵马驰骋之时，却被一群全副武装的士兵拦了下来。在验证身份之后，剑客靴猫被带进一座华丽庄严的王宫，并见到了亚历山德拉?贝拉冈巴公主。公主愁眉不展，面带忧伤，原来她王冠上的熔火之心红宝石被来自法兰西的盗贼耳语大盗偷走。在追捕耳语大盗的过程中，卫兵们捉到大盗的三个跟班——三只超萌看似天真无邪的幼猫。可是公主与卫兵却称他们为恶魔，公主拜托剑客靴猫从小猫口中问出耳语大盗的巢穴，并召回宝石。剑客靴猫欣然应允，不过他却轻视了眼前这三只诡计多端的小猫……
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备注：已完结
类型：电影
主演：Anna Neagle Anton Walbrook C. Aubre
语言：英语
年代：未知
简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
