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类型：电影
主演：艾尔皮迪娅·卡里洛 特诺切·韦尔塔 克里·卡希尔 贝茜·波雷戈 Har
语言：
年代：未知
简介：AMexican-Americancoupleexpectingtheirfirstchildrelocatetoamigrantfarmingcommunityin1970’sCalifornia.Whenthewifebeginstoexperiencestrangesymptomsandterrifyingvisions,shetriestodetermineifit’srelatedtoalegendarycurseorsomethingmorenefarious.
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类型：电视剧
主演：Nut Supanut Lourhaphanich Petch Cha
导演：Jane.Botta
语言：
年代：未知
简介：圭（查纳浦·提恩翁ChanapoomThenwong饰）的父母在他很小的时候就离开了他，因此，圭从小就明白一个道理，那就是在这个世界上，可以依靠的人只有自己。如今，圭凭借着努力即将完成大学的课程，课余时间里，圭在一家咖啡馆打工。索罗（苏帕努·洛瀚帕尼SupanutLourhaphanich饰）是刚刚踏进大学校园的新鲜人，他出生在一个富裕的家庭之中，从小就过着养尊处优的生活，只要他想，就没有得不到的东西。直到有一天，母亲的去世让索罗开始明白，母亲那温柔的笑容是无论花多少钱也买不到的。某日，索罗踏进了圭所在的咖啡店，圭温暖的笑颜深深触动了索罗尘封已久的内心。
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类型：电影
主演：亚尼·卡普 索娜姆·卡普尔 阿努拉格·卡施亚普 Harshvardha
导演：维卡拉马迪亚·莫特文
语言：其它
年代：未知
简介：一名导演因与一位电影明星在公开场合发生争吵而名誉扫地。为了报复这位演员，导演绑架了他的女儿，并实时拍摄了他寻找女儿的过程。
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类型：电影
主演：Heinrich Hargesheimer Carlheinz Har
语言：其它
年代：未知
简介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
