备注:已完结
类型:电视剧
主演:Snacky Chayatorn Alarnz A. Sriwiang
语言:泰国语
年代:未知
简介:在高一整年的时间里,特殊班级高一13班发生了许许多多的故事。人妖女生们从宫斗撕逼到姐妹情深齐心协力为SO和PAT申请助学金;MAX转学离开,又迎来了1班转来的高材生VAN;BOSS在PEET面前承认了和MAX姐姐的情侣关系,PEET的音乐梦想也开始得到了父亲的支持;兜兜转转,一直不愿意面对自己真实心情的JET终于在最后选择了向NEW坦承自己的心意并表示会努力对NEW好,两个人的关系似乎开始有了曙光;而陷入了三角恋情的TIW在看清了自己的心情后,选择了一直默默关心他的WUT,也获得了FRANK的谅解和祝福。----------------------------------(上面都是我瞎写的无论如何,感谢充满欢笑泪水的高一13班,高二13班,九月见!
备注:已完结
类型:电影
主演:泰莎·法米加 安吉拉·伊莱恩·吉布斯 达茜·卡尔登 阿塞玛·托马斯 凯
导演:Nate Edwards
语言:英语
年代:未知
简介:A guy, Frank, on a self-destructive path. A girl, Mali, with an expiration date. What a perfect time to meet and fall in love.
备注:已完结
类型:电视剧
主演:蕾拉·法扎德 安德鲁·巴肯 卡罗琳·斯托尔兹 安东尼·刘易斯 塞缪尔·
语言:英语
年代:未知
简介:本剧由凭借《我讨厌苏西》“Naomi” 获得英国电视学院奖提名的Leila Farzad和《小镇疑云》“Mark” Andrew Buchan领衔主演,《疼痛难免》和《家裂》背后的制作公司SISTER与BBC台共同打造,《真实的人类》编剧Jonathan Brackey与Sam Vincent执笔。 本剧描述了一对搭档之间的联系,而两人生活的世界的所谓“对”与“错”也交由自己判断,Leila形容本剧将会是“关于道德故事的全新诠释”。 剧中的故事始于十九年前,彼时Leila将扮演的“Lou Slack”还只是一名机智、但陷入职场调查的女警;而Andrew饰演的“Col McHugh”则是当地帮派一名刚入行但雄心勃勃的信任。两人此后相遇,并达成了一项将永远改变彼此生活的协议,并建立了一种复杂但特殊的关系;这笔交易让“Lou”扭转了自己的职场运,此后她取得...
备注:已完结
类型:电影
主演:帕克恩·查博里拉克 阿南达·爱华灵咸 Jenjira Jamnians
导演:埃卡斯特·泰拉塔纳 Nasorn Panungkasiri 楚克·萨克瑞科 艾卡斯特·泰叻他那
语言:泰语
年代:未知
简介:4段灵异的奇妙物语 给你4种前所未有的惊魂体验 4位泰国顶尖惊悚好手 携手送上4份精心为您炮制的死亡大礼
备注:已完结
类型:电影
主演:史蒂芬·麦克哈蒂 Lisa Houle 乔吉娜·瑞利 Hrant Al
导演:布鲁斯·麦克唐纳德
语言:英语
年代:未知
简介:在加拿大安大略省一个以法语为主的澎堤池的小村庄,当地的灯塔广播电台不分昼夜放送着村中以及国内外发生的大事小情。格兰特·马奇(史蒂芬·麦克海蒂 Stephen McHattie 饰)和西德妮·布莱尔(丽莎·霍尔 Lisa Houle 饰)、劳瑞·安(乔治娅·雷利 Georgina Reilly 饰)分任电台的主持人和导播,小村内的生活平淡悠闲。 一场大雪过后,村中的气氛却发生了翻天覆地的变化。不断有人狂性大发,化作嗜血如命的残酷丧尸,死亡数字节节攀升。格兰特等人很快发现,丧尸的病毒传染源竟来自电台,而传播的载体竟然是英语。澎堤池彻底陷入混乱,并且被政府所隔离,没人知道自己的命运将会如何……
备注:已完结
类型:电影
主演:Katrina Grey 仁科贵 亚矢乃 Naho Nakashima
导演:广濑贵士
语言:日语
年代:未知
简介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.