-
备注：已完结
类型：电影
主演：贝拉·卢戈西 玛奇·贝拉米 约瑟夫·考索恩 罗伯特·弗雷泽 约翰·哈伦
导演：维克托·哈普林
语言：英语
年代：未知
简介：Young couple Madeleine and Neil are coaxed by acquaintance Monsieur Beaumont to get married on his Haitian plantation. Beaumont's motives are purely selfish as he makes every attempt to convince the beautiful young girl to run away with him. For help Beaumont turns to the devious Legendre, a man who runs his mill by mind controlling people he has turned into zombies. After Beaumont uses Legendre's zombie potion on Madeleine, he is dissatisfied with her emotionless being and wants her to be changed back. Legendre has no intention of doing this and he drugs Beaumont as well to add to his zombie collection. Meanwhile, grieving 'widower' Neil is convinced by a local priest that Madeleine may still be alive and he seeks her out.
-
备注：已完结
类型：电影
主演：Gustavo Fernández Beatriz Toyos Mar
语言：其它
年代：未知
简介：狂犬病病毒B456造成人类突变，被咬的人变成活尸一般，很快地，人咬人、人传人，无一幸免。一所学校的幸存者牧师马里欧，带着厨师、护士等一行人听从紧急广播的指示，逃到一处偏僻的小镇，镇上有间宅邸住着一大家子的人，宣称是猎人的男主人献上热腾腾的红肉，招待这群初来乍到的客人饱食一顿。马里欧很快就发现这里的女人个个都有残疾，而男主人每晚都与不同女人寻欢作乐。与此同时，马里欧的同伴一个接着一个消失，屋子里隐藏的秘密、同伴间的互不信任、为了生存而不择手段，人性的丑陋逐渐被揭开，谁才是猎人？谁又是猎物？
-
备注：已完结
类型：电影
主演：Katrina Grey 仁科贵 亚矢乃 Naho Nakashima
导演：广濑贵士
语言：日语
年代：未知
简介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
