备注:已完结
类型:动漫
主演:贾斯汀·朗 凯文·亚当斯 凯特·玛拉 杰森·格里菲斯 贝拉·哈德森 比
导演:Arnaud Bouron Antoon Krings
语言:法语
年代:未知
简介:阿波罗(贾斯汀·朗 Justin Long 配音)是一只蟋蟀,同时也是一名正在流浪旅途中的艺术家。这一天,阿波罗来到了一片神秘的花园之中,阿波罗必须为获得留在这里的资格而付出努力,同时,阿波罗还要应付一心想要陷害他的黄蜂温蒂(劳丽·海姆斯 Laurie Hymes 配音)。 这一天,阿波罗邂逅了蜂后玛格丽特(凯特·玛拉 Kate Mara 配音),两人一起散步约会唱歌,好不快乐。哪知道,土匪飞蛾斯芬克斯(Ryan Nicolls 配音)带着他的爪牙绑架了玛格丽特,而温蒂则趁此机会谋权篡位,坐上了王座。为了救出玛格丽特,阿波罗挺身而出,和玛格丽特的一干好友们展开了和温蒂的周旋。
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类型:电影
主演:露辛达·戴维斯 道恩·福特 Don W. Shepherd 托德·芬内
导演:Benoît Godbout 让-弗朗索瓦·波略特 François Brisson
语言:
年代:未知
简介:续作延续前一部的风格,讲述在这座加拿大小镇上,开展了一场盛大的雪橇比赛,弗兰基带着他的团队参赛,而索菲亚则担任舵手,除此之外,还有新的成员加入了这场比赛,包括神秘而自负的扎克、以及扎克的运动员表姐查莉....
备注:已完结
类型:电影
主演:樊尚·埃尔巴兹 艾曼纽·贝阿 切基·卡尤 海诺·费尔希 格雷戈里·德朗
语言:法语
年代:未知
简介:故事发生在17世纪的法国,达达尼昂(樊尚·埃尔巴兹 Vincent Elbaz 饰)是一名心里怀揣着梦想的天真少年,梦想着自己能够成为名扬千里的火枪手。只身一人来到巴黎的达达尼昂,在一场意外之中结识了三名真正的火枪手阿托斯(海诺·弗兹 Heino Ferch 饰)、波托斯(格莱高利·嘉德波瓦 Grégory Gadebois 饰)和阿拉米斯(格雷戈里·德朗杰尔 Grégori Derangère 饰),四人很快就结下了坚实的友谊。之后,达达尼昂还邂逅了王后的闺蜜,温柔美丽的康丝坦斯(戴安娜·阿姆夫特 Diana Amft 饰),他瞬间就坠入了爱河。 王后在暗地里和白金汉公爵保持着情人的关系,在一次误打误撞之中,她将国王送给自己的项链转赠给了情人,这下可急坏了王后。
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类型:电影
主演:杰夫·法赫 埃涅·赫德森 罗伯特·迈阿诺 帕特里克·基尔帕特里克 弗兰
导演:沃斯·基特
语言:
年代:未知
简介:联邦特工艾迪·莱曼(杰夫·法赫 饰)在一次围剿任务中因不服从指挥而被迫在家休假。其未婚妻韦勒瑞·米勒(贝司·陶森特 饰)是参议员道格拉斯·威尔森(埃涅·赫德森 饰)的助理,威尔森为施行其清缴武器议案而到处宣传。而这一议案触怒了以大卫·安德森(布兰特·哈夫 饰)为首的反动民兵组织。为了获得更多民众的支持,威尔森议员决定携幕僚乘火车去人口稠密的紫貂峡镇演讲。与此同时,安德森也周密地部署着他的恐怖行动,他集结了专业保镖、网络黑客、铁路工程师、武器专家等各种力量,他们就潜伏在参议员...
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类型:电影
主演:帕特里克·博金 马特·弗里沃 奥斯汀·奥布莱恩 Ely Pouget
语言:英语
年代:未知
简介:消防员从一家被大火烧毁的“虚拟空间工厂”的废墟里救出了身受重伤的乔布,此时的他处于奄奄一息的状况之下,并且失去了过去的所有记忆,由于过度烧伤,医生还对他进行了整容手术,醒来后的乔布已经完全失去了从前的面貌。但沃克带领的正从事虚拟空间研究的“虚拟空间研究所”却已经暗中盯上了乔布,他们对乔布进行了虚拟现实实验,以此来帮助他重建了思想,最终借助他的力量来实现不可告人的目的。 时间来到未来的洛杉矶。彼得和特拉维斯、哈维、肖恩等几个小伙伴住在城市地下的隧道里,过着流浪的生活,几个人都酷爱网络虚拟游戏,在一次进入虚拟空间时,彼得竟然遇到了乔布,两人相见甚欢,乔布告诉彼得自己被困在了虚拟空间,而网络虚拟空间即将毁灭,他也会随之消失,只有一个叫本杰明特雷斯的人能够救他,恳求彼得帮他找到特雷斯并将他带到虚拟空间里。彼得一口答应,但找到特雷斯后却发现那是个十足的怪人,他隐居在人迹罕至的戈壁,对陌生的彼得并不友好。直到彼得提到奇容芯片的事,他才答应前往
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类型:电影
主演:Choi Eun-Hee Byeon Ki-Jong Yoo Min
导演:尹龙奎
语言:韩语
年代:未知
简介:Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.