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备注：已完结
类型：电影
主演：Homer Abiad Iñigo Vito Maria Pehipo
导演：奇拉·塔希米克
语言：其它
年代：未知
简介：Kidlat Tahimik的第二部电影《Turumba》(Kidlat Kulog Productions, 1983)提供了一个虚拟教科书，展示了资本渗透到一个传统村庄，以及市场和金钱关系对集体关系的转变。这一过程的象征是，现金关系对影片名称所指定的宗教仪式的影响，并开启了制片公司为市场带来的变化。在这个节日里，在现代社会中作为文化和宗教而被分离的事物还没有被分离，那些美丽的游客——图伦巴的西方公众——仍然可以在摄影机的介入媒介及其游记语言的背后，遥望和重建。因此，在这里已经可以列举出在Mababangong Bangungot(1977)将更雄心勃勃地部署和发展的正式因素。一种次要的象征主义，标志着这种和合作选择的合作，包括承认和炫耀地突出西方观众和一般旅行见闻的不真实性。在这里，手工艺品是一种媒介，它永远不会改变，而且已经不可挽回地改变得面目无睹。一位德国旅游女商人喜欢节日里使用的一些装饰品，并订购了更多。家庭然后村庄本身必须招募逐渐大规模生产这些物品,最终破坏村庄的周期性或仪式的时间,防止浪费更多的组织者在节日的源对象的问题放在第一位。罗米和他的儿子卡杜(霍默·阿比阿德[Homer Abiad]饰)被送去了欧洲，参加了1972年的慕尼黑奥运会，第三世界在第三世界即将受到第一世界的猛烈冲击的时候参观了第一世界，这与基德拉特的美学是一致的。
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备注：已完结
类型：电影
主演：汤姆·希林 卡塔琳娜·舒特勒 尤斯图斯·冯·多赫纳尼 Andreas
导演：扬·奥勒·格斯特
语言：德语,英语
年代：未知
简介：黑白画面，慵懒的爵士乐，不求上进的主人公和无伤大雅的小笑话，影片一开拥有某种伍迪·艾伦电影的气氛。这部来自德国导演杨·奥雷·格斯特的处女作叙述了一名普普通通的柏林年轻人生活中的琐事。成名于《希特勒的男孩》的汤姆·希林已经是而立之年但依旧长相天真，他饰演主人公尼克·菲舍(Niko Fischer)是一名法律大学的辍学生。尼克瞒着自己的父亲，每月依旧从父亲哪儿领取生活费。除此而外，他的生活可以称得上是无所事事。为此女朋友和他分手，之后尼克搬到了新住处，在那里遇到了深陷中年危机的新邻居(尤斯特斯·范·多诺尼)。诚然，尼克时常感到无聊得很，他却不愿意做出任何改变。直到被父亲发现了辍学的事实，尼克的生活来源就此中断。尽管如此，观众却对银幕上无所事事的尼克充满了同情心。尼克有位死党马特泽(马可·豪斯曼)是一名不太成功的演员，他正在演出一部二战题材的煽情剧。影片的...
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备注：已完结
类型：电影
主演：宝拉·柯特莱西 瓦莱里奥·马斯坦德雷亚 巴巴克·卡里米 安德里亚·萨托
语言：
年代：未知
简介：萨拉和尼古拉正在期待他们的第二个儿子。通过已故的马蒂亚-托雷的敏锐观察，在现代意大利为人父母的所有喜怒哀乐都以一种绝对精彩和诙谐的方式被揭开。
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备注：已完结
类型：电影
主演：Gloria Swanson Thomas Meighan Bebe
语言：英语
年代：未知
简介：In Cecil B. DeMille’s 1920 comedy Why Change Your Wife Gloria Swanson (DeMille’s regular leading lady of this period) as Beth, a respectable and rather prim wife who discovers that husbands don’t necessarily want their wives to be respectable and moral. It’s not that he doesn’t love her; he just wants a little romance in his marriage, and when another woman comes along who offers him the excitement he craves, he inevitably strays. And divorce inevitable follows. Beth then has a sudden revelation – maybe it’s not only true that men like shameless hussies, but maybe it’s also true that shameless hussies have quite a lot of fun. So she decides to transform herself into a sexpot.
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备注：已完结
类型：电影
主演：妮可·基德曼 马特·狄龙 华金·菲尼克斯 卡西·阿弗莱克 伊里纳·道格
导演：格斯·范·桑特
语言：英语
年代：未知
简介：天气播报员苏珊（尼克·基德曼 Nicole Kidman 饰）因涉嫌丈夫被害的谋杀案一时成为媒体焦点，数位当事人的访谈将事件的过程逐步呈现…… 立志从事新闻事业的苏珊雄心万丈，不顾丈夫拉利（马特·狄龙 Matt Dillon 饰）的意大利裔家庭反对，全力进行入行的相应准备，并最终为当地一家仅两名工作人员的有线电视台聘用，担任“天气女郎”。苏珊高昂的工作热情并未被消极的环境打退，不断提出工作计划，并着手深入学校的青年访谈系列节目，由此结识了詹姆斯（杰昆·菲尼克斯 Joaquin Phoenix 饰）等三位叛逆青年，詹姆斯深深迷恋苏珊。当苏珊意识到丈夫正在成为她事业上的障碍时，利用詹姆斯枪杀了拉利。苏珊自认是最后的赢家，但情况突然急转直下。
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备注：已完结
类型：电影
主演：托马斯·米连 约瑟夫·科顿 Maria Fiore Mario Pia
导演：翁贝托·伦齐
语言：其它
年代：未知
简介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
