-
备注：已完结
类型：电影
主演：朱丽叶塔·马西纳 马塞洛·马斯楚安尼 佛朗哥·法布里齐 Friedri
导演：费德里科·费里尼
语言：其它
年代：未知
简介：费德里克．费里尼导演的影片，因曲高和寡而很少在中国正式公映。这一部他晚年执导的喜剧比较平易近人。近年逝世的马塞罗．马斯特罗阿尼和朱列塔．马西娜饰演踢踏舞搭档毕波与艾蜜莉，年轻时曾以美国舞王舞后“金姐与弗雷为艺名巡回表演。如今年华老去，一个全国性的特别电视节目邀他俩再度聚首献艺。这两名意大利娱乐圈的小人物在录影过程中，一方面缅怀昔日的表演风光，另一方面则受到电视演出时的挫折。直至曲终人散，两人再各散东西，回到他们的平凡生活。导演走嘲讽喜剧的风格对老版歌舞艺人致敬，尽管内容比较松散浮浅，但男女主角的表演还是相当精彩。
-
备注：已完结
类型：电影
主演：索菲娅·迪·马蒂诺 埃拉-雷·史密斯 乔·哈特利 塞缪尔·安德森 斯戴
语言：英语
年代：未知
简介：Marley Morrison’s knockout debut feature is a sharply observed coming-of-age story that will make you wince and laugh in painful recognition of universal truths. 17-year-old AJ (Nell Barlow) is not one of life’s shiny, happy people. A family holiday at a caravan park in Dorset is her idea of hell. A moody misfit, she dresses for concealment and lets everyone know that she would rather be anywhere else. Then she spies flirty, free-spirited lifeguard Isla (Ella-Rae Smith) who might just be the girl of her dreams. Can AJ dare to take a first step on the road to happiness
-
备注：已完结
类型：电影
主演：弗兰科·奇蒂 尼内托·达沃利 Jovan Jovanovic 文森佐·
导演：皮埃尔·保罗·帕索里尼
语言：
年代：未知
简介：获柏林电影节评审团大奖。影片取材于意大利文艺复兴时期薄伽丘的著名小说集《十日谈》，帕索里尼从中挑选了8个（亦有说10个）发生在那不勒斯等意大利南部地区的故事进行拍摄（原著中以佛罗伦萨地区故事为主），这些故事大多以揭露教会虚伪丑恶本质为宗旨，并鲜明地表现了作者对人性解放的肯定态度。原著《十日谈》是意大利文艺复兴时期最重要的文学作品之一，它以十四世纪黑死病横行的时期为背景，通过十位青年所讲述的一百个故事，大胆鞭挞了当时天主教会的种种丑行，表现出平民阶层追求自由、摆脱宗教束缚的渴望。这部现实主义风格明显的作品堪称欧洲古典文学的杰作，被后人誉为和但丁《神曲》齐名的"人曲"。意大利新现实主义影片后期崛起的导演帕索里尼，延续了自己六十年代以古代神话题材警醒当今世人的创作路线，以相对通俗化的手法连续改编拍摄了《十日谈》、《坎特伯雷故事》和《一千零一夜》三部古典名著影片，合称"生命三部曲"。因为这三部影片中裸露镜头较多，又采用了较为通俗的娱乐片路线，有的电影学者也称之为帕索里尼的"色情三部曲"。对此帕索里尼本人阐述了自己的创作观点："我向观众表现的是整个世界，封建的世界，在这个世界里，情欲极其深刻而狂热地起着支配一切的作用。……我要推出这个世界并且说：你们可以比较一下，我要向你们表明，我要向你们诉说，我要向你们提醒。"
-
备注：已完结
类型：电影
主演：托马斯·米连 约瑟夫·科顿 Maria Fiore Mario Pia
导演：翁贝托·伦齐
语言：其它
年代：未知
简介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
-
备注：已完结
类型：电影
主演：皮内洛皮·提斯丽卡 Dimitris Lalos 玛利亚·阿里菲里 L
导演：珍妮丝·拉法
语言：其它
年代：未知
简介：Kala azar describes of a place that cannot sustain animal life any longer. In a big city somewhere in the south of Europe, a couple takes care of dead animals and abandoned roadkill as an act to give meaning to their life. Kala azar is a meditation on the paradox of life-circles among beings of different species. A film about existence, on the boundaries between living and dead, human and non-human.
