备注:已完结
类型:动漫
主演:Will Townsend Melissa Sturm Trevor
语言:英语
年代:未知
简介:Elliot, Boog and all of the beloved woodland creatures are back in a brand new comedy adventure.
备注:已完结
类型:电影
主演:乔·斯皮内尔 卡罗琳·莫罗 阿比吉尔·克莱顿 Kelly Piper
导演:威廉·拉斯蒂格
语言:英语
年代:未知
简介:弗兰克(乔·斯皮内尔 Joe Spinell 饰)和母亲过着相依为命的生活,虽然母亲常常虐待他,但弗兰克对母亲还是有着深深的依恋。在一场意外中,母亲不幸丧生,痛不欲生的弗兰克常年压抑的扭曲性格终于爆发了,他将自己的悲伤和愤怒都发泄在了杀戮之中。 弗兰克常常诱拐无知的年轻女性回家,杀死她们,并且残忍的损坏她们的尸体,这种种行动能够让弗兰克发泄心中的压力,修复回忆的伤痛。一天,弗兰克邂逅了名为安娜(卡罗琳·莫罗 Caroline Munro 饰)的女子,很显然,他选择安娜成为了自己的下一个目标。弗兰克对安娜展开了火热的攻势,而安娜很快就就范了。
备注:已完结
类型:电影
主演:Zoya Baranovskaya 伊戈尔·科尔托夫斯基 Serge
导演:纳塔莉亚·沃罗日比特
语言:
年代:未知
简介:顿巴斯,乌克兰内战,一系列的黑色故事正围绕着“路”这个意象上演。安全舒适区被挤压得荡然无存,也无法透过重重迷雾看透世事。当众生都囿于如此混乱困境,有人却成功凌驾于他人之上。弱者不弱,若有武器在手——既然已看不到明天,就不能当待宰的羔羊…沉浸于戏剧和电视领域创作多年后,导演沃洛日比特首执电影导筒,将其擅长的体裁以“准纪录片”形式呈现,用凛冽的镜头戏谑世间,冷眼旁观人类的困兽之斗。
备注:已完结
类型:电影
主演:Yancy Butler Patrick Bergin Joshua
语言:英语
年代:未知
简介:影片讲述几个相互之间完全陌生的人,发现他们被一个精神有问题的陌生人幽禁在他的孤岛上。他们不知道即将发生什么。接下来,他们被迫接受严酷的生死考验。想要生存下来,他们必须阻击来势汹汹且极端危险的鲨鱼。黑夜笼罩,在泳池边站着一个高大的男子,他被铁链绑起来,双手血淋淋,不明真相的他拼命挣扎,可是还是陷入了未知的绝境,究竟是什么原因让这几个陌生人要面对如此恐怖场景?而这场对抗鲨鱼的生存游戏到最后又有谁可以活下来?
备注:已完结
类型:电影
主演:布鲁斯·坎贝尔 艾伯丝·戴维兹 马库斯·吉尔伯特 伊安·艾伯克龙比 泰
导演:山姆·雷米
语言:英语
年代:未知
简介:美国青年艾许(布鲁斯?坎贝尔 Bruce Campbell 饰)在和女友琳达(布丽切特?方达 Bridget Fonda 饰)度假时,偶然发现一本《死亡之书》。书中记载各种神秘的丧葬风俗以及招魂仪式,更为诡异恐怖的是,这本不应该存在于人间的书具有十分强大和邪恶的魔力。为与之斗争,艾许失去了女友和自己的右手,但最后还是体力不支,被《死亡之书》带到600年前的中世纪。他奇怪的穿着一度被骑士们当作间谍抓起来,经过一番波折,艾许决定帮国王打败《死亡之书》幻化出来的怪兽,这也是他回到现代社会的唯一办法…… 本片荣获1993年布鲁塞尔奇幻电影节金鸦奖、1993年葡萄牙奇幻电影节影评人奖、1994年美国科幻恐怖电影学院土星奖最佳恐怖片。
备注:已完结
类型:电影
主演:Louise Salter Venera Simmons 玛丽亚·卡普
导演:马里亚诺·巴伊诺
语言:英语,俄语
年代:未知
简介:伊丽莎白总是被童年的恐怖幻影折磨。在她父亲死于一个岛上后,她来到了那里,想知道为什么父亲要在岛上建造一个修道院。同时,伊丽莎白寻找着她黑暗的过去,但似乎岛上的邪恶力量不愿再让她出去…… 意大利恐怖片90年代浪潮中最经典作品 达里奥.阿金图接班人导演Mariano Baino代表作 获奖:亚太奇幻影展国际影评奖 奇幻电影节特别贡献奖
备注:已完结
类型:电影
主演:Marfa Lapkina M. Ivanin Konstantin
语言:其它
年代:未知
简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.