备注:已完结
类型:电影
主演:塔吉娅娜·萨莫依洛娃 阿列克谢·巴塔洛夫 瓦西里·梅尔库里耶夫 亚历山
导演:米哈伊尔·卡拉托佐夫
语言:俄语
年代:未知
简介:本部电影讲述身处硝烟弥漫的战争年代,一对热恋中男女青年的悲情爱情故事。薇罗尼卡(塔吉娅娜·萨莫依洛娃 Tatyana Samojlova饰)和鲍里斯(阿勒克塞·巴塔洛夫 Aleksey Batalov饰)本是沉浸在甜蜜热恋中的幸福情侣,可随着战争的爆发,这一切的美好即将 破灭。鲍里斯参军,薇罗尼卡的父母在敌机的轰炸中双亡,悲痛欲绝的她只能寄宿在鲍里斯父亲的家中。鲍里斯的表弟趁机占有了她,薇罗尼卡受到众人指责。双重打击下的薇罗尼卡本想一死了之,可心中仍苦苦等待着鲍里斯的归来。当得知鲍里斯牺牲的消息后,薇罗尼卡彻底绝望了。战争结束,当所有人都在庆祝胜利的时候,薇罗尼卡也双手捧着鲜花来到广场上。这时,一行大雁在空中飞过,就像当初的美好时光一样。
备注:已完结
类型:电影
主演:莎伦·卡罗西亚 RosarioCaroccia TinaAmariut
语言:
年代:未知
简介:Rosario works as a street seller on the fairgrounds of the suburbs of Naples. His dream to escape poverty latches onto the musical talent of his daughter Sharon. He turns into an impresario to make her a star of the Italian folk music.
备注:已完结
类型:电影
主演:弗兰克·格里罗 安迪·麦克道威尔 亚历克斯·马克尼科尔 乔治·洛佩兹
导演:Conor Allyn
语言:
年代:未知
简介:IFCFilms拿下弗兰克·格里罗、安迪·麦克道威尔、乔治·洛佩兹主演,ConorAllyn执导的[无人之地](NoMan’sLand,暂译)北美发行权。该片讲述美国与墨西哥边境守卫比尔·格里尔和他的儿子杰克逊在巡逻中,意外杀死了一名墨西哥男孩,比尔试图承担所有责任,但被德克萨斯州的骑兵拉米雷斯识破。杰克逊不得不往南逃,他穿越沙漠和山脉,以寻求死者父亲的宽恕。该片将于明年北美上映。
备注:已完结
类型:电影
主演:Andranic Manet Gonzague Van Bervess
导演:让-保罗·希维拉克
语言:法语
年代:未知
简介:Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-No?l and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flau...
备注:已完结
类型:电影
主演:依莱姆·克里莫夫 Valentin Rasputin Stefaniy
导演:依莱姆·克里莫夫
语言:其它
年代:未知
简介:A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.