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类型：电影
主演：鲁伯特·艾弗雷特 雨果·维文 凯瑟琳·麦克克莱门茨 Arthur Di
导演：Di Drew
语言：
年代：未知
简介：故事发生在1860年的澳洲，彼时，糖尿病依旧是无法治愈的绝症。一场意外夺去了伯爵之子哈瑞（鲁伯特·艾弗雷特 Rupert Everett 饰）的一只手臂，令从小热爱马匹的他再也无法驰骋于马背之上。哈瑞雇佣了名为奈德（雨果·维文 Hugo Weaving 饰）的马车夫，随着时间的流逝，两人之间产生了坚实的友谊。 哈瑞爱慕名为莎拉（Catherine McClements 饰）的女子，然而，因为哈瑞患有糖尿病，令莎拉的母亲对这门亲事持有坚决反对的态度。日子一天天过去，哈瑞的身体日渐憔悴，在大限之日到来之前，他希望能够留下后代继承他的财产，于是，他想到了奈德，希望他能够代替自己，带给莎拉一个儿子。
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类型：电影
主演：奥玛·希 Alassane Diong 乔纳斯·布洛凯 Bamar K
导演：马修·瓦德皮
语言：法语
年代：未知
简介：一战期间，法国从非洲殖民地以抓壮丁的方式招募了大量士兵，17岁的蒂尔诺便是其中一位。他的父亲巴卡里为保护儿子也选择入伍，被派往前线的他们面对残酷的战争将何去何从？本片是法国导演马修·瓦德皮自编自导的第二部长片，聚焦一战中被忽视的塞内加尔殖民地士兵，并融入亲情元素，讲述了战争背景下可歌可泣的无名英雄故事，也是一次对当今法国种族问题的溯源。饰演父亲的是凭借《触不可及》拿下凯撒奖最佳男主角奖的奥玛·希，他在片中沉稳坚定的演出让人折服，父子权力关系的倒转也处理得细致得当。入围2022年戛纳电影节一种关注单元。
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类型：电影
主演：Arsseni Bultmann 劳拉·汤克 大卫·史崔梭德 波拉·盖
导演：桑雅·海斯
语言：
年代：未知
简介：Betweenquarrelingparents,mockingbrothersandpsychiatricpatients,Jossegrowsupinanunusualenvironment.Nowonderhestruggleswithfeelingsofbeingoverwhelmed.Atragicomiccelebrationoflifeanditsabsurdities.源自：https://www.berlinale.de/en/2023/programme/202301275.html
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类型：电影
主演：米莱娜·德沃斯卡 米洛斯·科佩基 伊日·赫尔赞 米列娜·扎赫里诺夫斯卡
导演：伊里·布尔德奇卡 Milos Makovec 埃瓦尔德·朔尔姆
语言：
年代：未知
简介：午夜，外乡人威利·法布里修斯在布拉格艳遇了一名美丽的女子，女子为他讲述了拉比内夫塔利与女魔像、伯爵夫人与鞋匠、开酒馆的女骗子的故事。
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类型：电影
主演：奥莉亚·萨拉 Maudy Effrosina Jourdy Prana
导演：奇摩·斯丹波尔
语言：印度尼西亚语
年代：未知
简介：为了拯救罹患重病的母亲，女大学生米拉（莫迪埃夫罗西娜 饰）跟一群朋友前往偏远的山村「舞者村」，要将母亲收藏的手环归还给守护当地的妖怪「巴达拉乌希」（奥若拉莎拉 饰），结果却意外引发一连串恐怖的遭遇……。
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类型：电影
主演：珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃
导演：大卫·格瑞尼
语言：英语
年代：未知
简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
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类型：电影
主演：奥德·帕夫尔卡 Anna Malová 尤莉·尤里斯托娃 约瑟夫·克姆
导演：尤拉伊·赫兹
语言：
年代：未知
简介：有些风流花心的流浪者马尔提恩（Ondrej Pavelka 饰）迷上了流动木偶剧团老板的女儿陶琪卡（Anna Málová 饰）。他请全剧团吃饭，不过却因没钱付帐引发异常混乱，马尔提恩自己也被投入监牢。在狱中，他找到一件隐身衣，将狱卒戏耍了一番。之后他成功越狱，回到木偶剧团，但受到士兵的追缉。为了不连累艺人们，马尔提恩主动要求解救被邪恶的阿尔陶布拉恩提尼公爵（Juraj Kukura 饰）施下咒语的美丽公主阿陶莉彻（Julie Juristová 饰）…… 捷克1978年新浪潮代表人物之一乔拉•赫兹（Juraj Herz）执导的cult名作。
